Berikut kunci gitar lengkap lagu Devils Best Dress dari Corb Lund Band. Gunakan tombol ▲▼ untuk transpose ke nada yang sesuai suaramu, dan tombol ▶ untuk auto-scroll saat bermain.
song : devil’s best dress band : corb lund and the hurtin’ albertans album : losin’ lately gambler label : new west records written by : corb lund tabbed\/Chorded by : ultimatelefty great song by corb , gotta be one of my favourites off of losin’ lately gambler! watching videos on youtube to get me started , there are covers off the song where the people covering it play with the capo on the 2nd fret , but corb definitely plays with the capo on the 6th fret . please rate , comment , and enjoy! C - 332010 Am - x02210 F - 133211 Fmaj7 - 133111 G - 320033 standard tuning capo 6th intro : E | - 0 - - - - - 0 - 1\/3 - 1 - - - - - - - | B | - 1 - - - - - - - - - - - - - 3\/5 - 1 - | G | - 0 - - - 0 - - - - - - - - - - - - - - - | D | - 2 - - - - - - - - - - - - - - - - - - - | A | - 3 - 3 - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - | C Am there is A woman , she lives in the west C Am she’s not the devil , but she wears his best dress C Am she’s quicker than lightning with the iron on her hips C Am she’s quicker than lightning and they say she don’t miss F Fmaj7 i can’t say i love you , i don’t hardly know you C G they warned me about you from the start C they said \"don’t you cross her , if you don’t want A hole in your heart\" C Am the dress hides A pistol , A top - break schofield i think C Am not that it matters when you’re outdrawn in A blink C Am she builds her own cartridge , it’s A wildcatted load C Am with A wadcutting bullet for A blood letting wound F Fmaj7 i can’t say i love you , i don’t hardly know you C G they warned me about you from the start C they said \"don’t you cross her , if you don’t want A hole in your heart\" solo : E | - - - - - - - - - 0 - 1 - 0 - - - 1\/3 - | - - - - - - - - - 0 - 1 - 0 - - - - - - - - - - - - - | B | - - - - - - - 1 - - - - - - - 3 - - - - - | - - - - - - - 1 - - - - - - - 1\/3 - 1 - 1 - 1 - 1 - | G | - - - - - 0 - - - - - - - - - - - - - - - | - - - - - 0 - - - - - - - - - - - - - - - - - - - - - | D | - - - 2 - - - - - - - - - - - - - - - - - | - - - 2 - - - - - - - - - - - - - - - - - - - - - - - | A | - 3 - - - - - - - - - - - - - - - - - - - | - 3 - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - - - - - - - - - - - - | E | - - - - - - - - - 0 - 1 - 0 - - - 1\/3 - 3 - 3 - 3 - 3\/5 - 5 - 53 - 3 - 3 - 3 - 3 - - - - - - - - - - - - - - - - - - - | B | - - - - - - - 1 - - - - - - - 3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | G | - - - - - 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2\/4 - 2 - 0 - - - - - - - - - - - | D | - - - 2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 - 0 - - - - - - - | A | - 3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 3 - 2 - 0 - | E | - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - | F Fmaj7 i can’t say i love you , i don’t hardly know you C G they warned me about you from the start C they said \"don’t you cross her , if you don’t want A hole in your heart\" C Am there is A woman , she lives in the west C Am she’s not the devil , but she wears his best dress and there you have it!! i didn’t tab out the little licks in the verses in choruses from grant siemens , but it shouldn’t be too hard to figure them out , with A little bit of fooling around you’ll probably find it , plus there’s six less frets to fool around with . * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * | \/ slide up | slide down | h hammer - on | p pull - off | ~ vibrato | + harmonic | x mute note | B bend | pb pre - bend | br bend release | pbr pre - bend release | brb bend release bend * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *