Berikut kunci gitar lengkap lagu Where Is Love Now dari Nickel Creek. Gunakan tombol ▲▼ untuk transpose ke nada yang sesuai suaramu, dan tombol ▶ untuk auto-scroll saat bermain.
where is love now written by sam phillips , arranged and performed by nickel creek . charted by richard j . m . fry for courtney lawton * notes and notation * looks there for fun things! short things , tall things , things that ride on bikes! and , above all , things to help you interpret the song . capo 4 : key signature : E major\/C relative to capo time signature : 4\/4 tempo : 69 - 74 adagietto con dolcezza chords used in order ( relative to the capo ) : also , kids , seriously , check out notes and notations . everything there is meant to help you toaa lot . C : x32010 D\/C : x3x232 Em : 022000 Am : x02210 Am7\/G : 3x2010 * F : 133211 or 13321 xf\/E : 03321x * Dm : xx0231 Dm\/E : 0xx231 * D : xx0232 intro : C D\/C C D\/C C Em if i could wait here for you , Am Am7\/G F without hope or knowing what to do . C Em watch the light fade away , Am Am\/G F F\/E without fear or knowing what to say . Dm [ ch ] Dm\/E [ \/Ch ] F F\/E cry the tears from my eyes . Dm [ ch ] Dm\/E [ \/Ch ] F leave me here long enough to realize . C Em where is love now? C Em where is love now; Am D out here in the dark? C D\/C C Em if i should hold all my dreams , Am Am\/G F through the night of the way life sometimes seems . C Em and if i can’t see which way to go , Am Am\/G F F\/E i’ll stay lost in silence ’til i know . Dm [ ch ] Dm\/E [ \/Ch ] F F\/E cry the tears from my eyes . Dm [ ch ] Dm\/E [ \/Ch ] F and leave me here long enough to realize . C Em where is love now? C Em where is love now; Am D Em D out here in the dark? instrumental solo : C Em Am F C Em Am F Dm [ ch ] Dm\/E [ \/Ch ] F F\/E cry the tears from my eyes . Dm [ ch ] Dm\/E [ \/Ch ] F leave me here long enough to realize . C Em where is love now? C Em where is love now? C Em where is love now? C Em where is love now; Am D out here in the dark? Em D Am D out here in the dark? outro : Em D Em D C D\/C * notes and notations * 1 . adagietto con dolcezza : slow , but not drudging . donat linger on chords too long or else the sound will quickly get stale . as well , donat heavy hand any of the chords - - delicate , like A somber lament . 2 . in regards to picking , sean watkins ( the guitarist for nickel creek ) is fond of mimicking finger picking with his style . think of A hideous amalgamation of travis picking , flatpicking , alternating bass picking , and crosspicking . as such , thereas really no right way to play this song . you can do delicate picking or finger style; itas really up to you . iam biased , as iam learned finger style first , but that is just me . 3 . any chord that is marked with an asterisk is something that is purely optional . as i mentioned , mr . watkins is keen on alternating bass , considering nickel creek very seldom runs with A double bassist , something odd for A bluegrass ensemble . as such , it is up to the guitarist to provide the stepping motion between chords . when you see A chord that is marked with A slash , it is A compound chord and is used as A stepping chord or A neighboring chord between tones . 4 . this part is theory babble , so feel free to disregard it . the only exception to the optional choice is the D\/C chord , which is actually A tonic chord with A neighboring step up to the supertonic ( D ) , while still holding the C . itas not quite A suspended chord , as the D\/C eventually resolves back to the tonic . as such , the C to D\/C to C motion is an incomplete neighboring chord . as well , youare probably wondering why there is an Em present . well , A minor is the relative minor of C major , and the song does occasionally insinuate A modulation . however , seeing as it does not stay in A minor very long , this is simply A borrowing of chords from the relative minor rather than A full blown key change . that being said , you seldom ( and i mean , very seldom ) , find A usage of A minor v chord ( Em ) in A minor key . the v7 is much more enticing , as it allows A very quick segue into A major iv chord in the original key and eventually back to tonic . in the context of this song , however , A minor v chord does work as A pivot chord from Am to C , cutting out the need for A bridge between A v7\/v to i . again , just theory babble . 5 . i addEd A second way to play the F major chord . this is because in the recording , you never hear the octave F on the high E string in the recording , so it is , in my opinion , unnecessary to play it . iam fond of leaving things out to preserve A good sound rather than A complete chord that doesnat inherently do anything to enhance the harmony . again , feel free to disregard this if you arenat interested . 6 . adh mor! ( good luck )